Tuesday, November 10, 2020

November 10 - U.S. Marine Corps Birthday

 

Happy National U.S. Marine Corps Birthday! "Semper Fidelis!" On November 10, the U.S. Marine Corps Birthday commemorates the establishment of the Continental Marines on its 245th birthday.  

 
The U.S. Marine Corps, a branch of the U.S. Armed Forces, is responsible for providing power protection from the sea. They use the mobility of the U.S. Navy to deliver combined-arms task forces rapidly 


The Continental Congress first established the Continental Marines on November 10, 1775, leading up to the American Revolution. Two battalions of U.S. Marines fought for independence both on land and at sea. 


The birth of the U.S. Marine Corps began as a way to augment naval forces in the Revolutionary War. 

The recruiting headquarters was in the Tun Tavern on Water Street in Philadelphia, Pennsylvania, which is considered to be the birthplace of the U.S. Marines. 

 

The Corps was abolished at the end of the Revolutionary War. However, on July 11, 1798, U.S. Congress ordered the creation of the Corps. 


U.S. Congress named it the United States Marine Corps (USMC) and directed that it be available for service under the Secretary of the Navy. 

 
Marine Corps Presence 


The USMC shares many resources with the other branches of the United States military. 


However, the Corps has sought to maintain its own identity with regards to mission, funding, and assets while utilizing the support available from the larger military branches.  


Despite having fewer installations than other branches, the U.S. Marine Corps maintains a presence on many U.S. Army posts, Naval stations, and U.S. Air Force bases. 


In his birthday greeting more than seventy years ago, General Alexander Vandegrift, our 18th Commandant noted that “A birthday is a fitting time to peer backward – and forward.”  


That year, U.S. Marines reflected on an extraordinary year in combat during their amphibious drive across the Pacific Ocean. 


Despite the challenges and the horrific conditions, U.S. Marines prevailed at Guam, Saipan, and Peleliu.  


On November 10, 1944, U.S. Marines looked back with pride on their accomplishment – confident in their ability to meet future challenges. 


In 2004, 20,000 U.S. Marines deployed to Al Anbar Province, Iraq – many Marines celebrated the birthday in places like Fallujah, Ramadi, and Al Qaim while decisively engaged in combat.  


That year, U.S. Marines also responded to the crisis in the Pacific following a tsunami claiming the lives of more than 200,000 people! 


On November 10, 2004, U.S. Marines looked back with pride on their accomplishments – confident in their ability to meet future challenges. 


Some things change. U.S. Marines adapt. Their organization, training, and equipment change to the operating environment.  


However, some things remain the same. U.S. Marines continue to attack challenges with the same courage, commitment, loyalty, self-sacrifice, and adaptability as their predecessors in Peleliu and Fallujah.  


On November 10, 2014, U.S. Marines looked back with pride on our accomplishments- confident in our ability to meet future challenges. 


HOW TO OBSERVE 


If you know a U.S. Marine, thank them for their service. Attend U.S. Marine Corps Birthday celebrations. Use #MarineCorpsBirthday to post on social media. 


HISTORY 


In 1921, General John Archer Lejeune, 13th Commandant of the U.S. Marine Corps, initiated the tradition of publishing a reminder of honorable service to all U.S. Marine commands on the anniversary of the Corps’ birth. 


Since then, the U.S. Marine Corps members have honored the establishment of their military branch every year by republishing General Lejeune’s reminder. Gradually, they added balls and banquets to the birthday celebration. 


The first formal dance took place in 1923 at the Ft. Mifflin Marine Barracks in Pennsylvania. Other events include mock battles, sporting events, and races. 


In 1925, the historic Benjamin Franklin Hotel hosted the first formal U.S. Marine Ball. The ball honored the 150th birthday of the U.S. Marine Corp. General Lejeune and Secretary of War Dwight Davis attended. 


Commandant, General Lemuel C. Shepherd Jr. brought even more tradition to the warriors, always faithful and always loyal to each other, their country and their traditions.  


Beginning in 1952, the formal cake cutting ceremony began. During the ceremony, the first piece goes to the oldest U.S. Marine present and the second piece to the youngest. This tradition is still practiced today.


OORAH! 
 

How can you acknowledge or thank a U.S Marine for their service today? 


#MarineCorpsBirthday 

@marines

@USMC

@USMCMuseum 

@nichecinema 

November 10 - Philippe Grandrieux


Happy 66th Birthday, Philippe Grandrieux! Born today in 1954, this French cinematographer, screenwriter and film director pushes the boundaries of whatever field he is working in and strives for an ever inventive, truly radical cinema. 

 
This maverick film director's work covers several areas of kinetic visual arts: feature film, experimental television, video art, documentary, and museum and gallery installation. 

 
Born in Saint-Étienne, Loire, Rhône-Alpes, France, Grandrieux, years later, studied film at the Institut National Supérieur des Arts du Spectacle in Belgium (INSAS).  

 
Post-graduation, Grandrieux later exhibited his first video work at Galerie Albert Baronian, Bruxelles 

 
In the 1980s, he worked in collaboration with the French Institut National de Audiovisuel (INA) and the television channel La Sept/Arte 

 
This was where he helped develop new cinematographic forms and formats that called into question some basic principles of film writing: for instance, the conventions behind documentary, information and film essays. 

 
For instance, these included the conventions behind documentary, information and film essays. 

 
Among his credits, Grandrieux is best known for co-writing and directing the 1998 French drama/horror film 'Sombre'. 

 
It follows a serial killer named Jean (Marc Barbéwho follows the Tour de France cycling race in his car and murders women (mostly prostitutes) along his way.  

 
While there, he meets Claire (Elina Löwensohn), a psychologically troubled and confused woman who falls in love with him. 


Jean also meets her sister Christine (Geraldine Voillat). This was after the sister's car had broken down. 

 
Later that same year, 'Sombre' was nominated for the Golden Leopard (Pardo d'oroat the 52nd Locarno Film Festival in Switzerland in August 1998. Instead, the film won the C.I.C.A.E. Award - Special Mention. 

 
Since 2005, programs devoted to Grandrieux's features, video, documentary work and shorts of which have been broadcast all over the world. 

 
In 2007, Marylin Manson, who admits having seen 'La Vie Nouvelle' several times, asked Grandrieux to direct his video-clip for his song Putting Holes in Happiness that belongs to the album Eat Me, Drink Me. 

 
The following year, Grandrieux's 'Un Lac' (2008), was ready for the 65th Venice Film Festival where he won a Special Mention in the Orrizzonti Section. This section rewards movies that initiate new cinematographic trends. 

 
During 2012 and 2013, Grandrieux was a Visiting Fiction Film Professor at Harvard University. During that time, Grandrieux's one-hour film 'Meurtrière ['Murderess'] (2015) was in progress of being made. 

 
Grandrieux once said: “I never watched any rushes. Because I frame the shots and operate the camera, the images are directly inscribed on my retina.” 

 
Among his credits, Grandrieux is also known for directing 'La Vie Nouvelle' ['A New Life'] (2002), 'Un Lac' (2008), 'White Epilepsy' (2012) and 'Malgré la Nuit' ['Despite the Night'] (2015). 

 
Both of his first two fell-length features 'Sombre' and 'La Vie Nouvelle' are examples of Grandrieux's creativity in photography, sound and narration. 

 
Grandrieux followed the work of Pier Paolo Pasolini ('The Gospel According to St. Matthew', 'Salò, or the 120 Days of Sodom'), French filmmaker, film theorist, literary critic, and novelist Jean Epstein, and Japanese actor and film director Teinosuke Kinugasa. 


All three were constantly looking for and inventing new narrative forms that would only fit films.  

 
Grandrieux's films, deriving from horror movies and experimental movies, give the viewer intense sensorial experiences. His goal is to make the viewer psychologically involved in his features.  

 
His films actually express a whole world of energies based on sensations and affects despite a linear narration and an iconography that relies on archetypes that refer to the archaic images of the fairy tale and the legend.  

  

American associate professor of film studies at the University of North Carolina Tim Palmer situates Grandrieux's work within an ongoing tendency of a cinema of the body. 

 
These are linked to other filmmakers such as French film director, screenwriter and actress Marina de Van, French film director and screenwriter Diane Bertrand, and French writer and director Damien Odoul. 

 
Grandrieux's work covers several cinematographic fields – television experimentation, video art, research movie, film essay, documentary and museum exhibition.  

 
His uncompromised vision of art leads him to push the boundaries of the cinematographic fields he is working on. As a consequence, he is always producing an inventive and radical cinema. 

 
Grandrieux’s films have been recognized internationally. He has a penchant for de-centered narratives and disturbing subject matter (i.e., prostitution and sexual violence). 

 
He also has polarized audiences around the world, but his painterly, formally innovative approach to image-making has also won him a legion of admirers among adventurous filmgoers as well as prominent theorists and critics. 


Grouped among the controversial cineastes "New French Extremity" and/or the cinema of transgression, Grandrieux's contribution to film has a singularity that has broadly been recognized. 


"New French Extremity" is a term coined by Senior Programmer at TIFF Cinematheque Toronto and Artforum critic James Quandt for a collection of transgressive films by French directors at the turn of the 21st century.


Grandrieux, among other filmmakers of this genre, are also discussed by chief film critic for the Independent Jonathan Romney on Sunday. He is also a regular contributor to Sight & Sound, Film Comment, Screen International, and more.


Grandrieux enjoys a profuse critical reception, whether adulatory or negative, and which stands in inverse proportion to how widely his films are seen.  


Grandrieux has been active from 1982–present. 

 
#borntodirect 

@philippegrandrieux.oficiel 

@FIFNY 

@mubi 

@Offscreen2 

@FilmmakerMagazine 

@thirdrailquality 

@JonathanRomney 

@TheIndependentOnline 

@RadcliffeInstitue